|God almighty, what an idiot.|
|Got to get you off the stage.|
Perhaps rightly thinking that performers standing in one place could make Pop Gear even more unwatchable, the director wrongly told them to walk around in circles for three minutes, to the obvious embarrassment of those who were more self-aware. Did you ever think Herman's Hermits would ever be described as self-aware? Me neither.
|This is rock & roll?|
|No, there's nothing skeevy about this guy.|
The Dave Clark 5's pretentious Having a Wild Weekend (released as Catch Us if You Can in its original UK release) must have been a little bizarre to US teens as well. The opening scene promises a combination of A Hard Day's Night (black-and-white cinematography) and Help! (zany friends living together in a zany house). But once Dave Clark is addressed as "Steve," you learn these guys aren't playing themselves, but, rather, stuntmen currently appearing in an ad campaign for the meat council. Steve doesn't dig the job (he's just a piece of meat, get it?), but he seems to fancy the commercial's star, Dinah. She and Steve jump in an MG and escape to the real world, with the other four, and the director of the ad campaign, on their trail.
Unlike the Beatles' movies, Having a Wild Weekend isn't a showcase for a band. No, this is Dave Clark's project all the way. He and Dinah (played by Barbara Ferris) are supposed to be symbols of the freethinking younger generation, but their pseudo-philosophical ramblings are pretty much what you'd expect a couple of budding 23 year-old Rambeaus to babble while on holiday (as the Brits say). Director John Boorman pads out the couple's getaway with endless scenery shots while Dave Clark 5 songs bash away on the soundtrack. It's kind of like playing a record while watching artsy home movies. As I think of it, Having a Wild Weekend is an attempt at what was referred to as a "kitchen sink drama," only after a good scrubbing of Ajax. (Boorman would later polish his C.V. by directing Point Blank and Deliverance.)
|As boring as she is pretty.|
|Dave Clark leaves Barbara Ferris|
to fend for herself.
A later segment featuring Steve and Dinah spending an afternoon with a bored suburban couple, Guy and Nan, seems to be lifted from another movie entirely. While the sexually-frustrated Nan puts the moves on Steve, the clueless Guy tries seducing Dinah via his collection of pop culture memorabilia. (That hit a little too close to home for comfort.) Guy is an unhappy man, baffled by the strange world of 1965, wanting nothing more than to escape to an earlier, simpler time, away from the wife who offers him nothing but contempt. It's a strange, biting scene -- the film's best, in fact, thanks to Robin Bailey's exquisitely sad portrayal of Guy -- but one that makes you wonder, What's this doing here?
|"Who are these four guys in the car with me?"|
Having a Wild Weekend actually plays better the second time around, when you know to expect, but its drawbacks persist. The main problem is its dichotomy. It wants to be taken seriously as a message movie -- but it stars the Dave Clark 5! There's talk of drugs and sex -- but it stars the Dave Clark 5! It exposes the media's manipulation of society -- but it stars the Dave Clark 5! The nervous taglines on the movie's American promotional material warned it was "the year's big dramatic surprise! Watch it make the 10-Best lists!" Clearly, Dave and his mates were going for something other than just another teen idol comedy, and are to be commended for their effort. But did screaming teenyboppers in the audience really give a shit about drama and 10-best lists? Give us "Bits and Pieces!"